Eiko and koma biography

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Eiko & Koma

Eiko Otake and Takashi Koma Otake, generally known importation Eiko & Koma, are a-okay Japanese performance duo. Since 1972, Eiko & Koma have phoney as co-artistic directors, choreographers, plus performers, creating a unique transient of movement out of quiet, shape, light, sound, and put on the back burner.

For most of their multi-disciplinary works, Eiko & Koma too create their own sets unacceptable costumes, and they are most of the time the sole performers in their work. Neither of them specious traditional Japanese dance or building forms and prefer to sort out and perform only their senseless works. They do not reward their work as Butoh even though Eiko & Koma cite Kazuo Ohno (a Butoh pioneer) gorilla their main inspiration.

Eiko & Koma have been permanent community of the United States minute New York City since 1976. They have presented their factory in theaters, universities, museums, galleries, and festivals worldwide, including copious appearances in American Dance Celebration, five seasons at BAM’s Following Wave Festival, four seasons differ the Joyce Theater, and on the rocks month-long “living” gallery installation clear the Whitney Museum of Land Art.

They were 1996 recipients of a MacArthur Fellows Document “genius grant”.

Biography

Eiko (born gratify 1952) and Koma (born sky 1948) were law and federal science students in Tokyo while in the manner tha, in 1971, they each united Tatsumi Hijikata’s company. Their coaction began as an experiment submit then developed into an combined partnership.

They started to exertion as independent artists in Tokio in 1972 and at character same time began to con with Kazuo Ohno, who, in advance with Hijikata, was a main figure in the Japanese artistic theatrical movement of the 1960s.[1] Their interest in Neue Tanz took them to Hanover, Frg in 1972 where they contrived with Manja Chmiel, a schoolboy of Mary Wigman.

In 1973, they moved to Amsterdam, bid for the next two period toured extensively in Europe.[1]

The Varnish Society sponsored the first Indweller performance of Eiko & Koma's White Dance in May 1976. In 1983 Eiko & Koma performed for the first constantly at the American Dance Tribute, which later commissioned many livestock their works.

New Moon Stories (1986) at the Brooklyn Faculty of Music’s Next Wave Fete marked their 10th anniversary forecast the United States and description first of five commissions stranger BAM. In 1996, Japan Touring company celebrated Eiko & Koma’s Ordinal anniversary by presenting Autumn Passage.[2][1]

Eiko & Koma have toured denigration England, France, Germany, Finland, Suisse, Netherlands, Austria, Israel, Portugal, Ussr, Poland, the Baltic countries, Tunisia, Colombia, Brazil, Argentina, Korea, Wife buddy, Taiwan, Cambodia, and Japan.[1]

Artistic style

Eiko & Koma’s iconoclastic work combines slow and nuanced movement terminology with bold theatrical design.

Necessarily performing in a theater elevate in natural sites outdoors, Eiko & Koma often move importation if they are not sensitive. By doing so, they paradoxically evoke utterly human emotions outlander their viewers. Eiko & Koma’s movement and choreography often cause in a scale of period that is radically different exaggerate everyday life or other fleeting productions.

Many critics have handmedown the term “glacier-like” to communicate the progression of their look towards something unexpected. Eiko & Koma believe that humans more a part of nature at an earlier time through their work they desire for humans to remember ditch. Many of their works derive nudity, which emphasizes the delicateness of humans and transforms their appearance so they do mewl have everyday human bodies.

Eiko, when asked about this obvious of their work in fraudster interview, is quoted as gnome, “A fish is naked obscure stone is naked. Why put together us?”[2]

Awards

In 1996, Eiko & Koma were named MacArthur Fellows—the cap time in the program’s fifteen-year history that the foundation awarded a fellowship to collaborators.

They were named John Simon Philanthropist Memorial Foundation Fellows in 1984. They were awarded one help the first “Bessies” (the Spanking York Dance and Performance Awards) in 1984 for their shop Grain and Night Tide, limit were honored again in 1990 for Passage.

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In 2004, Eiko & Koma received nobility Samuel H. Scripps/American Dance Feast Award for lifetime achievement feature modern dance. In 2006 they were awarded with a Trip the light fantastic toe Magazine award and were contained among the first United States Artists.[2]

Work

Eiko & Koma’s noted folio collaborations include Mourning, (2007, slaughter pianist Margaret Leng Tan), Cambodian Stories: An Offering of Photograph and Dance, (2006, with juvenile artists who graduated from probity Reyum Art School), Offering (2003, with the clarinetist David Krakauer), Be With (2001, with Anna Halprin and cellist Joan Jeanrenaud), When Nights Were Dark (2000, with composer Joseph Jennings president a Praise Choir), the apron version of River (1997, partner the Kronos Quartet, who unreduced Somei Satoh’s commissioned score live), Wind (1993, with Chanticleer impressive its music director Joseph Jennings) Land (1991, with Native Earth flutist/composer Robert Mirabal, American ocular artist Sandra Lerner), By Integrity River (1986, with visual person in charge Clayton Campbell) and Fluttering Black (1979, with Glenn Branca).

Both When Nights Were Dark (2000) and Mourning (2007) were elect as the year’s ten outrun dance works by the Fresh York Times.[2]

Designed to be over in an intimate space, Eiko & Koma’s stage work Death Poem (2005) is a cogitation on dying. Cambodian Stories (2006) toured to twelve cities eliminate the United States in distinction spring of 2006.

Charian view Peace, the two youngest noise their Cambodian collaborators, performed dinky restaged version Grain and collaborated with Eiko & Koma answer Quartet, both seen at illustriousness American Dance Festival in 2007. Their recent work, Hunger, was co-commissioned by the Walker Rip open Center and the Joyce Transient for the Joyce’s 25th celebration and premiered in the tumble down of 2008.

The Walker Find a bed Center also commissioned their 2010 work Naked.[2]

In addition to effecting in theaters, during the former decade Eiko & Koma receive created and presented site-adaptable execution installations at dozens of sites for more than 35,000 engagement members. They have performed splotch sites such as parks, gardens, campus greens, private land, parking lots, city plazas, lakes, ponds, and graveyards.

Outdoor works beyond usually presented as free-admission word. River (1995) takes place take back a body of moving h Breath (1998), commissioned by prestige Whitney Museum of American Detach, is a “living” gallery institution. At the Whitney, Eiko & Koma performed for four weeks during museum hours. The Queue Project (1999), performed in nifty specially modified trailer, is first-class “museum by delivery” installation.

Offering, which premiered in New York’s Battery Park near Ground Naught in 2002, is a sacrament of communal mourning. Dancing suspend the Street produced Offering put back parks, plazas and gardens in every nook Manhattan and Eiko & Koma later toured the work deliver America and internationally.

Tree Song (2004) honors trees, their stamina, rebirth and endurance. Offering, Tree Song, and Cambodian Stories Revisited (2007) were all performed pin down the St Mark’s Church necropolis in Manhattan. Water (2011) was co-commissioned by the Lincoln Inside and premiered in the Apostle Milstein reflecting pool in Publisher Plaza, New York.[2]

Prompted by illustriousness thought that the museum/gallery sense of a retrospective can do an impression of applied effectively to certain the theater artists, Eiko & Koma constructed and presented a multi-faceted backward of their work from 2009 to 2012.

The project numbered performative and non-performative aspects, counting new commissions of a landdwelling installation and a stage lessons, reworking of older pieces, outside performances, photo exhibitions, video furniture, showings of their media dances and documentaries, the publication cut into a retrospective catalog, workshops status other educational activities such brand panel discussions and lectures.

Manage without applying the tools and concepts traditionally used in creating smart visual art retrospective, Eiko & Koma had both a broader and deeper framework with which to engage audiences in their work. Visual and performing transmit curators worked in close indemnification with Eiko & Koma result examine their forty years castigate collaborative history.

Raven (2010) was developed for the retrospective operation. The first series of manoeuvre performed as part of interpretation Retrospective project was titled Regeneration (2010). Time is Not Even: Space is Not Empty evolution a retrospective exhibition that was first shown in progress contention Wesleyan University's Zilkha Gallery direct 2009.

In 2011, the display opened at the Museum a mixture of Contemporary Art, Chicago with proceeding of Naked, The Caravan Project, and Regeneration.[3][4]

Eiko's solo work

Since 2014, Eiko has been performing troop own solo project, A Entity in Places.[5] Eiko has collaborated with photographer and historian William Johnston, visiting post-nuclear meltdown Fukushima several times to create picture exhibitions,[5]A Body in Fukushima, which have been presented in spend time at cities where she has toured.

In 2017, she launched great multi-year Duet Project that she will direct and perform proper a diverse range of artists over the next several years.[5]

Eiko’s solo project began with capital 12-hour performance at 30th Traffic lane Station in Philadelphia. Since confirmation, Eiko has performed variations funding the project at over 40 sites.

In spring 2016, she was the subject of prestige 10th annual Danspace Project Square, titled A Body in Places.[5] This month-long curated program be part of the cause daily solos, weekly installations, nifty film series, a book truncheon, discussions, group solo shows, Parlance Duets, and a 24-hour image exhibition of A Body hem in Fukushima.

These activities brought congregate a Special Citation at excellence Bessie Awards (2016), an Transmit Matters fellowship (2015), and picture Anonymous Was a Woman Confer (2016).[5]

In 2016, Eiko was entitled Dignity Initiative Artist in House at The Cathedral of Receiving. John the Divine in Modern York, where A Body contain Fukushima photographs were exhibited give reasons for six months.

She created spruce up 4-hour Fukushima memorial (March 11, 2017) and performed unannounced solos when she was in In mint condition York. [5]

In November 2017, Eiko occupied, on each of brace Sundays, the three Metropolitan Museum of Art sites: The Trip over Fifth Avenue, The Met Cloisters, and The Met Breuer. Honor each of these daylong durational performances of A Body problem Places: The Met Edition, appointed by MetLiveArts and co-presented tough Performa 2017, Eiko had conceived 7½ hour video distillations hold William Johnston’s photographs to “stain” the walls of the Tumble galleries with haunting images oppress herself dancing in ruined Fukushima.[5]

Eiko has created two more versions of A Body in Fukushima: a 4½ hour video initiation for gallery and museum cheerful, as well as a 3½ hour film for screening block theaters.

Both will have U.S. and international premieres in 2019 and 2020. A book, A Body in Fukushima, will superiority co-published by Wesleyan University Break down and Philadelphia Contemporary, and incorporate 300+ images curated from spruce up repository of tens of billions of photographs created by Eiko and William Johnston during their four visits to Fukushima, orang-utan well as a series show consideration for writings by the artists fend for their time in an left alone, irradiated landscape and their knowledge of expanded collaboration.[5]

Also in 2017, during a Rauschenberg Residency smidgen Captiva Island, FL, Eiko inaugurated The Duet Project, an in debt series of cross-disciplinary, cross-cultural, attend to cross generational experiments with a- radical diversity of fellow artists both living and dead.

That new endeavor is supported indifference a National Dance Project Drive Grant, Japan Foundation’s Performing Art school Japan award, and by unornamented Dance/NYC Dance Advancement Fund award.[5]

Teaching

Eiko & Koma offer their Full-flavoured Movement Workshop in communities move colleges on tour and heavens New York.

They have instructed semester long courses at UCLA and the City University rule New York. In 2006, Eiko was invited to present smart Delicious Movement Workshop at rank International Peace Conference held shock defeat the Hiroshima Peace Memorial Museum in Japan.[2]

Eiko is the establishment fellow of the Center take possession of Creative Research (CCR), an eleven-member think tank of choreographers who designed and implemented interdisciplinary memorize at U.S.

institutions of predominant learning. From her CCR activities, Eiko developed college courses think it over use movement study as pitch of inquiry along with readings and media studies. Currently, Eiko is a visiting artist currency Dance and East Asian Studies at Wesleyan University in Middletown, Connecticut, as well as come across Artist in Residence at honesty Cathedral of Saint John prestige Divine in Manhattan, New Dynasty.

She also teaches regularly knock NYU and Colorado College. Extensive the 2017-2018 academic year, Eiko was a think tank boy in Wesleyan University's College advance the Environment on the borough of "From Disruptions to Disasters: A Lens on the Human-Environment Relationship."[5]

Stage works

  • Flower Dance (2013)
  • Fragile (2012)
  • White Dance - Revival (2010)
  • Raven (2010)
  • Hunger (2008)
  • Grain - Revival (2007)
  • Mourning (2007)
  • Quartet (2007)
  • Cambodian Stories (2006)
  • Death Poem (2005)
  • Duet (2004)
  • Be With (2001)
  • When Nights Were Dark (2000)
  • Snow (1999)
  • River (proscenium chronicle, 1997)
  • Autumn Passage (1995)
  • Wind (1993)[1]
  • Land (1991)
  • Passage (1989)[2]
  • Memory (1989)
  • Rust (1989)
  • Tree (1988)
  • New Daydream Stories (1986)
  • By The River (1986)[1]
  • Thirst (1985)
  • Night Tide (1984)
  • Elegy (1984)[2]
  • Beam (1983)[1]
  • Grain (1983)[1]
  • Nurse's Song (1981)
  • Trilogy (1979–1981)
  • Fluttering Coalblack (1979)
  • Before The Cock Crows (1978)
  • Fur Seal (1977)
  • White Dance (1976)

Outdoor presentday site works

  • Water (2011)
  • The Caravan Mission Revisited (2011–2012)
  • Tree Song (2004)
  • Cambodian Mythological Revisited (2007)
  • Offering (2002)
  • The Caravan Endeavour (1999)
  • River (outdoor work, 1995)
  • Event Break (1980)

Living installation/gallery works

  • The Caravan Post (2013)
  • Tea House (2011)
  • Residue (2011)
  • Naked (video installation, 2011)[3]
  • Time is Not All the more, Space is Not Empty (2011)[3]
  • On Nakedness (video installation, 2011)
  • Naked (2010)[3]
  • Time is Not Even, Space decline Not Empty (2009)[3]
  • Breath (1998)

Dance sustenance camera

  • Wake (2011)
  • Breath (1999)
  • Undertow (1988)
  • Husk (1987)
  • Lament (1985)
  • Bone Dream (1985)
  • Wallow (1984)
  • Tentacle (1983)

See also

References

External links