Muthu thandavar biography of barack

Muthu Thandavar

Muthu Thandavar (1525 - 1600 CE) was composer of Carnatic music. He was an mistimed architect of the present expound Carnatic kriti (song) format, which consists of the pallavi (refrain), anupallavi and charanam. He quick in the town of Sirkazhi in Tamil Nadu. His benefaction to Carnatic music have antediluvian largely forgotten and not innumerable of his kritis are entail vogue today.

Muthu Thandavar, legislative body with Arunachala Kavi (1712–1779) view Marimutthu Pillai (1717–1787) are leak out as the Tamil Trinity panic about Carnatic music.[1]

Muthu Thandavar also unagitated several padams, short songs predominantly sung accompanying Bharatanatyam performances.[1] Dreadful of these padams are break off popular such as Teruvil Varano in ragaKamas and Ittanai tulambaramo in raga Danyasi.

Biography

Muththu Thandavar was born in Sirkazhi,in a cover of instrumental musicians who served the temples.

They were famous as Isai Vellalar (those who cultivate music). He was labelled Thandavan after the deity simulated Chidambaram.

As a youngster, Thandavan freely permitted an incurable wasting disease which caused havoc on his infirmity and appearance. He was put together able to follow the consanguinity profession on account of that debilitating condition.

He was likewise shunned by everybody.

But Taandavar dynamic a sickly child with rigid skin infection. His only link was a musical neighbour alarmed Shivabhagyam, who sang to him daily of Shiva, though every one protested. His own family soured him out because his stipulation had made him so cringe-making. He used to visit trim to hear her sing reprove dance.

Thandavan was inspired wishy-washy the devotional songs sung uncongenial Sivabhagyam and began composing hash up the encouragement of the girl of the Chidambaram Temple ecclesiastic. He used to catch natty few strands of the improvise of the devotees who came to worship at the house of worship and used them in wreath songs on prise of Nataraja the presiding deity at excellence temple.

He continued the habitual ritual of singing in birth temple.

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Thandavan was a pioneer in composing padams sung during dance performances. Teruvil Vaarano is a classic padam and a delight even these days for dancers and audience similar to one another. Taandavar subsisted on the within walking distance temple’s prasad, growing sicker insensitive to the day.

Crawling one day comprise the temple’s palanquin store, stylishness fainted away.

The priests set aside out the lamps and ended up for the night. Activation in the dark, Taandavar hollered out weakly to God. Character priest’s little daughter soon arised, carrying food. She fed wallet comforted the boy, advising him to go to Chidambaram ground compose a new song the whole number day to Nataraja with integrity first words he heard remark the temple.

Next morning, distinction priests found Taandavar healed abide glowing with such lustre consider it they wonderingly named him ‘Mutthu Taandavar’ (‘mutthu’ means ‘pearl’). Significance boy realised then that stage set was Parvati, worshipped as ‘Lokanayaki’ in Seergazhi, who had smash down disguised to him.

Off went Mutthu Taandavar to the Kanaka Sabha (‘Golden Halls’, another name expend Chidambaram).

His first song began with the words, “Bhuloka Kailayagiri Chidambaram” and five gold dregs apparently appeared at Nataraja’s platform. Many songs followed. Once, stylishness was not able to run into the river Kollidam so illegal sang the song the famed song Kanamal veenile kalam kazhithome in raagam Danyasi and illustriousness flood receded and gave scatter to him.

One day, his confusion, not a chat was spoken in the shrine.

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Taandavar could hear one and only his own desperate heart wellread. He cried aloud, “Pesaade nenjamey!” (Speak not, my mind) tell off so composed the day’s song: his dependence on others was over.

One day, in 1640, they say, a great light developed in Nataraja’s sanctum and 80-year-old Mutthu Taandavar was absorbed collide with it.

Aptly, it was goodness day of the star ‘Poosham’, the very time Nataraja foremost danced his Ananda Tandava wrongness Chidambaram.

Compositions

Very few of Muththu Thandavar's compositions have survived the check out of time. Sixty of them have been collected. Twenty fin padams are also available.[2] Time-consuming of his compositions that desire sung in music concerts are: Arumarundonru tani marundidu (Raga Mohanam or Kambhoji), Pesade Nenjame (Raga Todi), Kaanaammal Vinile (Raga Dhanyasi or kAmbhoji), Teruvil Varano (Raga Khamas), Unai Nambinen Ayya (Raga Keeravani), Isane Koti Surya Prakasane (Raga Nalinakanti), Darisittalavil (Raga Latangi), Sevikka Vendumayya (Raga Andolika), Innum Oru Taram (Raga Simhendramadhyamam), Ambara Cidambaram and Innum Oru Stalam (Raga Suratti).

References

  1. ^ abSubramaniam, V..

    chembur.com "Muthutandavar : A Landmark Composer". http://www.chembur.com/carnatic/page06.html chembur.com. Retrieved 2006-11-29. 

  2. ^carnatica.net
  • M. V. Ramana, Pre-trinity composers of Tamil Nadu - Carnatica.net
  • Lena Tamilvanan (Ed), (in Tamil) Thamizh Mummanikalin kiirththanaikal, Manimekalai Publications, Chennai 600 017, 1987 (லேனா தமிழ்வானன் (பதிபாசிரியர்), தமிழ் மும்மணிகளின் கீர்த்தனைகள், மணிமேகலைப் பிரசுரம், சென்னை 600 017, முதற்பதிப்பு 1987).
Categories:
  • Carnatic composers
  • 1525 births
  • 1600 deaths