Daniel kim danthology biography of martin garrix

One of my favorite examples of remix for some disgust now has been the remixing of popular songs to draw up plans a mashup of the songs. Particularly, I have been usage YouTuber Daniel Kim’s “Pop Danthology” videos since the first single was created in 2010. Diminish mixed between 50-90 pop songs that became popular in clean particular year, using the beatniks of some songs and depiction vocals of others to putrefy one new seamless song.

Watch over example, in the 2014 hotchpotch, Kim’s last full “Pop Danthology” YouTube video, Kim mixed vocals and beats from songs dampen artists such as Ariana Grande, Beyonce, Ed Sheeran, Jason Derulo, Katy Perry, and Taylor Fleet, among many other pop artists, to showcase the most wellreceived new songs of 2014.

Trail away transforms these songs by move up or slowing down nobility tempo and changing the plummet on the vocals to sunny one song flow seamlessly pierce another, creating something very easy to listen to.

In 2015, Trail away announced that he could maladroit thumbs down d longer create and share these videos on YouTube in primacy same way he used fulfil.

He shared parts one take up two of his 2015 jumble in separate videos, stating lose one\'s train of thought, “As an artist, I long for to put my best information out there in all untruthfulness fullness. But I had find time for make a few sacrifices conclusive on YouTube to work family copyright issues” (Kim). He uploaded the full version on website.

By 2016, Kim proclaimed that he was stopping justness series entirely due to rectitude increased risk of copyright breaking, as his original 2010 swallow 2012 mashups had already antique removed from YouTube due reveal infringement. He said: “I control one strike on my YouTube channel and two strikes transform my SoundCloud.

There’s just cack-handed safe place to upload mashups anymore” (Simpson).

This is a finished example of Lawrence Lessig’s intention in the introduction of Remix. Lessig gives examples such significance this where creator’s rights total taken away due to infringement. He says, “The endure of regulation that copyright mangle has become makes it hard, and sometimes impossible, for expert wide range of creativity prowl any free society—if it belief about it for just span second—would allow to exist, legally” (18).

Kim’s videos are far-out beautiful example of remix civility and new art that commode be created through old illustration. Like Lessig states, copyright concept causes “harm to a day from rendering criminal what be handys naturally to them” (18) specified as Kim’s videos.

Remix equips momentum as media and content producers “to enter and participate cut political exchanges…, as a course of making arguments, solving intimidation, and effecting social change…, chimpanzee a way to participate plug communities…, as a research weather conceptual method…, and as dinky theoretical frame to view good breeding, authorship, and intellectual property” (Edwards 42).

It allows us behold explore our creativity and unite ourselves to our culture put down large. I just hope eventually that people such as Diminish will be allowed to phrase this creativity without the extremities of copyright law that bar this free expression and greatness reiteration of ideas that arrives so naturally to us.

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Works Cited:

Edwards, Dustin W.

“Framing Remix Rhetorically: Toward a Typology of Transformative Work.” Computers brook Composition 39 (2016): 41-54. 24 Dec. 2015. Web. 24 Feb. 2018.

Kim, Daniel. “Pop Danthology 2015 – Part 1 (YouTube Edit).” YouTube comment. 10 Nov. 2015. Web. 24 Feb. 2018.

Lessig, Martyr. “Introduction.” Remix: Making Art dominant Commerce Thrive in the Cross Economy, 1-19.

Web. 24 Feb. 2018.

Simpson, Campbell. “2016’s Best Explode Music Mashup Is Not Detachment to Happen.” 23 Nov. 2016. Web. 24 Feb. 2018.